Architects: Vladimir Malashonok
Location: Moscow, Russia
Area: 115 sqm
Photographs: Courtesy of Vladimir Malashonok
In his talk at TEDx Vilnius, Koen Olthuis compares the cities of today with those at the turn of the 20th century: ”cities are not full, we just have to search for new space… they made elevators and built a vertical city. We have to do exactly the same, but our generation has to look at water.” With that in mind he looks at the top 10 reasons that floating cities are becoming a more popular idea, including: they provide solutions for topical issues such as flooding and sustainability; they can be used as ‘plug in’ travelling global amenities, useful for things like Olympic Stadiums; or could even allow us to rearrange urban areas.
We’ve just learned that the 2014 Pritzker Prize laureate will be announced on Monday, March 24 at 5pm EDT. This prize — architecture’s most prestigious — has been awarded annually since 1979. Past winners include Philip Johnson, Zaha Hadid, Rem Koolhaas, Oscar Niemeyer and Norman Foster (full list). You can see ArchDaily’s coverage of the prize here. Stay tuned for the latest updates on this year’s winner. Who do you think deserves to win?
William McDonough + Partners has been selected to design Method’s first U.S. manufacturing facility on a brownfield site in Chicago’s historic Pullman community. The company, known for producing environmentally conscious cleaning products, commissioned McDonough to design an ultra clean, LEED Platinum facility constructed from Cradle to Cradle Certified materials and powered entirely by renewable energy.
Eyebeam, a non-profit art and technology center currently based in Manhattan, has commissioned WORKac to design its future Brooklyn home. Planned for the corner of Lafayette Avenue and Ashland Place, within a mixed-use development designed by Dattner Architects and Bernheimer Architecture that will include market-rate and subsidized housing as well as a restaurant, the 27,000 square foot cultural facility will accommodate for the organization’s world-renowned artist residency program, diverse public programming and innovative education offerings for adults and teens. According to the developer, Jonathan Rose Companies intends to break ground next year with completion slated for late 2016.
The City of Montpellier has chosen Sou Fujimoto Architects, Nicolas Laisné Associés and Manal Rachdi Oxo architects’ “White Tree (L’Arbre Blanc)” as winner of the “Architectural Folie of the 21st Century” competition. Inspired by the city’s tradition of outdoor living, and the efficient properties of a tree, the mixed-use residential tower will feed off locally available natural resources as it rises 17-stories and connects the new and old districts of Montpellier.
From Henning Larsen Architects. “Architecture is the opposite of the coca-cola-principle,” says Louis Becker, director of Henning Larsen Architects, in this interview with Louisiana Channel. He continues by explaining that architecture is, first and foremost, about seeing things grow. With architecture your dreams become physical: “We are building our ambitions for society.” If architecture was separate from life and society, it would be an uninteresting form and space. The inside of a building must have a relation to the outside; there has to be a dialogue between the life and hope inside, and the city as a whole.
Architecture is also a merger of cultures and ideas. Scandinavian ideas of transparency, democracy and equal access affect the way Henning Larsen Architects approaches architecture. But, at the same time, it is very important to think of what is necessary in the nature, culture and climate that you are working with. “When two different ways of seeing the world meet, that’s when something interesting happens.”
In this video, Becker explains these ideas in relation to two very different projects, one in Saudia Arabia and The Harpa Concert Hall in Reyjavik, Iceland (which was made in collaboration with artist Olafur Eliasson and won the prestigious Mies van der Rohe award in 2013).
In this article originally published by Metropolis Magazine as “Urban Hopes, Urban Dreams“, Samuel Medina reviews a new book on the work of Steven Holl in China. Focusing on five major projects, the book places Holl’s work in the wider context of his urbanistic influences – including ideas from his own early paper architecture that are just now resurfacing.
Steven Holl is the rare architect whose concepts are equally known as his buildings. Chalk that up to Holl’s prolific output, in both buildings and monographs, and his knack for branding his ideas. Urban Hopes: Made in China (Lars Müller, 2014), a condensed reader on Holl’s latest work in China, is the latest in a stream of small books that have continually repackaged the architect’s growing body of work.
Anchoring and Intertwining appeared in 1996 and expounded on architectural themes and spatial notions only partially evinced by his work up until that time. In both, the buildings were few and far between, scattered between pages imprinted with “paper architecture,” the primary outlet for Holl’s creative energies in the prior decades since his move to New York in 1976. These and more titles were followed up by Parallax in 2000, a blend of philosophical, scientific, and poetic references that invest the architecture with the aura of the Gesamtkunstwerk. Holl’s idea of “porosity” made its debut here, if prematurely, where it was applied rather literally to Simmons Hall at MIT and its sponge-like facade. It wasn’t until a few years later, when the architect first got his feet wet in China, that the concept would be baptised as a core tenet of 21st-century urban design. 2009’s Urbanisms advances as much, while further recapitulating the big ideas of the previous book installments.
Read on after the break for the review of Urban Hopes
The American Institute of Architects’ New York Chapter has announced the 2014 Design Award winners. Selected from nearly 400 submissions, the 35 awardees were commended for their “design quality, response to context and community, program resolution, innovation, thoughtfulness, and technique.” Of the 35 awards conferred, 13 received Honor Award Medals. The winners, after the break…